The Prophet in Training
Before he was a prophet, Paul Sérusier was just another kid in a crowded room. It was 1887 at the Académie Julian. This wasn't the Ecole des Beaux-Arts where you had to jump through government hoops just to hold a brush. Julian was different. It took anyone with the tuition and a dream. It was a chaotic mess of smoke and ambition and students who didn't care for the rules. Georges Michelet was there too. He captured his friend before the world changed for both of them.
This portrait is a quiet relic. It is a small slice of canvas that shows Sérusier before he met Paul Gauguin in Pont-Aven. There is no Talisman here, there are no flat colors or mystical abstractions. This is the raw realism of a student trying to find his footing in a city that didn't care if he succeeded or starved. The Académie Julian allowed for this kind of exploration. It was a place for those who didn't fit the state-sponsored mold.
Michelet didn't know he was painting the future leader of the Nabis. He just saw the gaze, intense and heavy, the look of a man who hasn't yet found what he is looking for but knows it’s out there somewhere. Most of these student works ended up in the trash, or painted over to save a few francs. This one survived. It serves as a rare map of a mind before it caught fire.
We see a man standing on the edge of a cliff. He hasn't jumped into modernism yet, still tethered to the old ways. He is still tied to the shadows and the light of the academy. But you can see the hunger in his eyes. It’s the kind of hunger that only ends in a revolution. It is the stare of someone about to burn the house down to build something new.
References
Michelet, Georges. Paul Sérusier. 1887. Oil on canvas. 41 x 32.7 cm.
Guicheteau, Marcel. Paul Sérusier. Paris, Side, 1976.
Feilchenfeldt, Walter. By Appointment Only. London, Thames and Hudson, 2006.