Filiger, Charles - Virgin and Two Angels (1895) - Canvas Block, unframed

Name: Filiger, Charles - Virgin and Two Angels (1895) - Canvas Block, unframed
Brand: Printify
SKU: 17138749833107817544
Price: 35.0 USD
Availability: InStock

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Description

Stretched Canvas Block: A Tactile Anchor for Your Space

In a world saturated with digital noise, certain images serve as vital signals to help us reclaim focus. The Masterpieces Collection isn't just a set of decorative prints, it's a bridge to a cultural continuity of self-expression that brings the core of art history directly into alignment with your personal vibe. By integrating these works into your space, you're practicing mindful stewardship that honors human brilliance while creating a private sanctuary to replenish your soul.

These canvas blocks provide a sophisticated vibe that feels both intentional and grounded. The archival-grade cotton and polyester composite offers a subtle texture that distinguishes the piece from standard paper, reflecting the origins of most pieces as paint on canvas to begin with. Each block features a specialized matte coating designed to stay color-true while reducing glare so the art itself gets all the attention.

Sustainable Core: The internal frame is built from radiata pine sourced from FSC-certified renewable forests, ensuring the structural foundation aligns with a philosophy of stewardship.
Stability: Integrated back-hanging hardware and soft rubber dots on the bottom corners keep the canvas flush and centered without constant adjustments.
Safety and Depth: Printed with UL-certified Greenguard Gold latex inks, the image maintains a vivid, non-hazardous resonance safe for any environment.
Artisan Tolerance: Due to the specialized production process, please allow for the artwork placement on the folds and corners a minor deviation of up to 1/8 inch.

Care Instructions

Maintenance is intentionally minimal. If the surface gathers dust over time, a gentle wipe with a clean, damp cloth is all it takes to restore its clarity.

The Story

The Sacred Math of a Brittany Hermit

Charles Filiger didn’t care about your perspective or about the three-dimensional world that most painters were obsessed with at the end of the nineteenth century. By 1895 he was already deep into the woods of Brittany living like a drug-addicted monk and painting things that looked like they fell out of a time machine. He was a favorite of the occultists at the Salon de la Rose+Croix but he belonged to no one.

Gauguin called him a genius because Filiger understood that reality is a lie. In Virgin and Two Angels he takes the divine and flattens it into something sharp and geometric. It’s a tiny painting, only ten inches across, but it carries the weight of a cathedral. He used gouache and gold to mimic the look of medieval stained glass but the result was something entirely new. He was doing geometric abstraction decades before the modernists figured out the trick.

The heavy outlines and flat colors create a sense of stillness that’s almost uncomfortable. The Virgin is not a soft mother, she’s a series of deliberate shapes. The angels are icons of a different order. Filiger was a man out of time who rejected the salons and the noise for a quiet life of isolation and addiction. He died in 1928 but he left behind these small windows into a world where math and mysticism collide. It’s not pretty in a conventional sense. It is haunting and precise, the work of a man who saw the bones of the universe and decided they looked like stained glass.

References

Jaworska, Wladyslawa. Gauguin and the Pont-Aven School. Greenwich: New York Graphic Society, 1972.

Pincus-Witten, Robert. Occult Symbolism in France: Josephin Peladan and the Salons de la Rose+Croix. New York: Garland, 1976.

Shipping & Satisfaction

Free shipping on all US orders, always.

Every order ships to US addresses at no additional cost. Allow up to 10 business days from fulfillment for delivery.

Your investment is protected. Material or print defects are replaced or fully refunded — no friction, no negotiation. If the work doesn't resonate aesthetically within 5 days of receipt, reach out and we'll make it right.

One note worth reading before you order: because every piece is produced on demand, we're unable to accommodate returns for incorrect size selections. Consult the product specs before you commit — they're there to make sure what arrives is exactly what you envisioned.