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Filiger, Charles - Virgin and Two Angels (1895) - Suitcase

Filiger, Charles - Virgin and Two Angels (1895) - Suitcase

$225
$225
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Printify

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$225
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Description

The Masterpiece Hard-Shell Travel Case

Curated Movement for the Intentional Traveler.

Art in Motion

Travel is often a series of transitions through noisy, crowded spaces. This hard-shell suitcase from the Masterpieces Collection ensures that your personal aesthetic remains uninterrupted, even on the move. Featuring high-resolution art history masterpieces encapsulated within a durable polycarbonate shell, this case transforms a practical necessity into a mobile statement of heritage and style.

Resilient Sophistication

Designed for those who value both form and function, the case utilizes a hybrid construction: a high-impact polycarbonate front to protect the artwork and a lightweight ABS back for scratch and temperature resistance. The 360° swivel double-wheels and adjustable telescopic handle ensure effortless, silent movement through any environment, allowing you to maintain your peace and your pace.

Intelligent Interior

The interior is designed for the mindful organizer. Featuring a removable lining under a secure rubber seal and dedicated inner pockets, it provides the structure needed to keep your essentials in order. For longer journeys, the largest size offers an expandable storage option, ensuring you never have to compromise on what you carry with you.

Technical Features

  • Construction: High-impact Polycarbonate front with a durable, scratch-resistant ABS back.
  • Movement: Four 360° swivel double-wheels for silent, multi-directional gliding.
  • Security: Built-in TSA-compliant lock for enhanced peace of mind.
  • Interior: Removable inner lining and dual internal pockets for organized storage.
  • Aesthetic Note: To achieve the highest possible resolution, the artwork is printed on a specialized canvas and encapsulated within the PC shell. Please note that this artisan process may result in slight, organic creasing near the suitcase's edges—a hallmark of the unique technology used to merge fine art with high-durability travel gear.

      Small Medium Large
    Height (with wheels), in 22.00 26.00 30.00
    Length, in 9.00 10.00 11.00
    Width, in 14.00 18.00 20.00
    Handle Length, in 15.00 18.50 22.00
     

Care & Maintenance

To preserve the brilliance of your travel case, please follow these care guidelines:

  • Preparation: Remove all items from the case before cleaning.
  • Surface Care: For visible stains or scuffs, pretreat the area with a mild stain remover.
  • Cleaning: Mix warm water with a gentle laundry detergent. Use a soft terry cloth or a soft-bristle brush to clean the outer shell and handles.
  • Drying: Always allow the case to air dry completely before storage or use.
The Story

The Sacred Math of a Brittany Hermit

Charles Filiger didn’t care about your perspective or about the three-dimensional world that most painters were obsessed with at the end of the nineteenth century. By 1895 he was already deep into the woods of Brittany living like a drug-addicted monk and painting things that looked like they fell out of a time machine. He was a favorite of the occultists at the Salon de la Rose+Croix but he belonged to no one.

Gauguin called him a genius because Filiger understood that reality is a lie. In Virgin and Two Angels he takes the divine and flattens it into something sharp and geometric. It’s a tiny painting, only ten inches across, but it carries the weight of a cathedral. He used gouache and gold to mimic the look of medieval stained glass but the result was something entirely new. He was doing geometric abstraction decades before the modernists figured out the trick.

The heavy outlines and flat colors create a sense of stillness that’s almost uncomfortable. The Virgin is not a soft mother, she’s a series of deliberate shapes. The angels are icons of a different order. Filiger was a man out of time who rejected the salons and the noise for a quiet life of isolation and addiction. He died in 1928 but he left behind these small windows into a world where math and mysticism collide. It’s not pretty in a conventional sense. It is haunting and precise, the work of a man who saw the bones of the universe and decided they looked like stained glass.

References

Jaworska, Wladyslawa. Gauguin and the Pont-Aven School. Greenwich: New York Graphic Society, 1972.

Pincus-Witten, Robert. Occult Symbolism in France: Josephin Peladan and the Salons de la Rose+Croix. New York: Garland, 1976.

Shipping & Satisfaction

Shipping & Satisfaction

Free shipping on all US orders, always.

Every order ships to US addresses at no additional cost. Allow up to 10 business days from fulfillment for delivery.

Your investment is protected. Material or print defects are replaced or fully refunded — no friction, no negotiation. If the work doesn't resonate aesthetically within 5 days of receipt, reach out and we'll make it right.

One note worth reading before you order: because every piece is produced on demand, we're unable to accommodate returns for incorrect size selections. Consult the product specs before you commit — they're there to make sure what arrives is exactly what you envisioned.

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