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Filiger, Charles - Portrait of Emile Bernard (1893)

Filiger, Charles - Portrait of Emile Bernard (1893)

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AdamPacio.com

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$210
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Description

Selecting a piece of history for your home is an act of curation that reflects your own journey toward clarity and center. This fine art giclée is more than a reproduction; it is a high-fidelity window into the Modern Art Canon, produced with the technical precision required for professional gallery display. By prioritizing archival materials and local Brooklyn craftsmanship, we ensure that the intellectual resonance of the artwork is matched by its physical presence in your space.

Every print is designed to provide a sense of lasting value and quiet confidence. This is an investment in your environment, an invitation to replace the noise of modern life with the enduring narrative of the great innovators. Whether displayed as a single focal point or as part of a larger historical survey, these prints provide the tactile and visual aura that only genuine museum-grade materials can deliver.

Museum-Quality Craftsmanship

The Paper: 100% cotton Hahnemühle Photo Rag, world-renowned for its beautiful felt structure and archival longevity.

The Print: Genuine Giclée process using pigment-based inks for depth, detail, and an "aura" that rivals museum originals.

The Production: Printed locally in NYC to ensure the highest standards of color accuracy and material integrity.

The Story

The Geometry of a Recluse

Charles Filiger didn't need the city. He didn't want the noise of the Belle Epoque or the soot of the industrial age. He lived in the middle of nowhere in Brittany because a patron paid him to be a ghost. In 1893, he painted Emile Bernard and he did it with the clinical precision of a monk who had seen too much of the future and hated all of it.

This isn't a portrait in any traditional sense, it's a geometric puzzle. Filiger took a human face and flattened it into sacred shapes. He used gouache and gold leaf to make a modern man look like a medieval relic. It was a rejection of everything that was supposedly sophisticated back then. No depth. No perspective. Just a hard, flat reality that felt more real than the world outside.

He showed it at the Salon de la Rose+Croix. That was the place where the mystics gathered to complain about the death of the soul. Filiger’s work fit right in. It was tiny. Barely nine inches tall. But it glowed with a transcendental aura that made the big, loud oil paintings in Paris look like garbage. He wasn't trying to capture a likeness. He was trying to map a spirit. He stayed in those remote villages until he died in 1928, leaving behind these small, golden windows into a world that didn't care about progress. It is just gold and geometry and a silent refusal to play the game.

References

Filiger, Charles. Portrait of Emile Bernard. 1893. Gouache and gold on paper. Private Collection.

Jullian, Philippe. The Symbolists. London Phaidon Press, 1973.

Pincus-Witten, Robert. Occult Symbolism in France. New York Garland Publishing, 1976.

Shipping & Satisfaction

Shipping & Satisfaction

Free shipping on all US orders, always.

Every order ships to US addresses at no additional cost. Allow up to 10 business days from fulfillment for delivery.

Your investment is protected. Material or print defects are replaced or fully refunded — no friction, no negotiation. If the work doesn't resonate aesthetically within 5 days of receipt, reach out and we'll make it right.

One note worth reading before you order: because every piece is produced on demand, we're unable to accommodate returns for incorrect size selections. Consult the product specs before you commit — they're there to make sure what arrives is exactly what you envisioned.

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