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Gauguin, Paul - The Yellow Christ (1889) - Suitcase

Gauguin, Paul - The Yellow Christ (1889) - Suitcase

$225
$225
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Printify

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$225
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Description

The Masterpiece Hard-Shell Travel Case

Curated Movement for the Intentional Traveler.

Art in Motion

Travel is often a series of transitions through noisy, crowded spaces. This hard-shell suitcase from the Masterpieces Collection ensures that your personal aesthetic remains uninterrupted, even on the move. Featuring high-resolution art history masterpieces encapsulated within a durable polycarbonate shell, this case transforms a practical necessity into a mobile statement of heritage and style.

Resilient Sophistication

Designed for those who value both form and function, the case utilizes a hybrid construction: a high-impact polycarbonate front to protect the artwork and a lightweight ABS back for scratch and temperature resistance. The 360° swivel double-wheels and adjustable telescopic handle ensure effortless, silent movement through any environment, allowing you to maintain your peace and your pace.

Intelligent Interior

The interior is designed for the mindful organizer. Featuring a removable lining under a secure rubber seal and dedicated inner pockets, it provides the structure needed to keep your essentials in order. For longer journeys, the largest size offers an expandable storage option, ensuring you never have to compromise on what you carry with you.

Technical Features

  • Construction: High-impact Polycarbonate front with a durable, scratch-resistant ABS back.
  • Movement: Four 360° swivel double-wheels for silent, multi-directional gliding.
  • Security: Built-in TSA-compliant lock for enhanced peace of mind.
  • Interior: Removable inner lining and dual internal pockets for organized storage.
  • Aesthetic Note: To achieve the highest possible resolution, the artwork is printed on a specialized canvas and encapsulated within the PC shell. Please note that this artisan process may result in slight, organic creasing near the suitcase's edges—a hallmark of the unique technology used to merge fine art with high-durability travel gear.

      Small Medium Large
    Height (with wheels), in 22.00 26.00 30.00
    Length, in 9.00 10.00 11.00
    Width, in 14.00 18.00 20.00
    Handle Length, in 15.00 18.50 22.00
     

Care & Maintenance

To preserve the brilliance of your travel case, please follow these care guidelines:

  • Preparation: Remove all items from the case before cleaning.
  • Surface Care: For visible stains or scuffs, pretreat the area with a mild stain remover.
  • Cleaning: Mix warm water with a gentle laundry detergent. Use a soft terry cloth or a soft-bristle brush to clean the outer shell and handles.
  • Drying: Always allow the case to air dry completely before storage or use.
The Story

Paul Gauguin didn't move to Brittany for the scenery. He went there because he was done with the light-dappled fluff of the Impressionists and the cold iron of the Eiffel Tower. In 1889, while Paris was worshiping electricity and steam at the Exposition Universelle, Gauguin was standing in the mud of Pont-Aven. He was looking for something ancient. He wanted a primitive soul that the modern world had already started to execute.

The Yellow Christ is not a portrait of a Sunday service. It is a manifesto of Cloisonnism. Gauguin rejected naturalism by drenching the world in a flat, unapologetic yellow. He didn't care if the grass looked like a real field. He wanted it to feel like the autumn transition between life and the coming winter. The Christ figure wasn't a vision from the clouds either. It was modeled after a 17th-century wooden crucifix he found in a local chapel in Tremalo.

The heavy dark outlines around the figures mimic medieval stained glass and Japanese woodblock prints. It is a flattened, spiritual space where peasant women in traditional coifs pray to a wooden idol that has come to life in their own fields. While the rest of the world was staring at the raw power of the new century, Gauguin was obsessing over ancient superstitions and the smell of heavy wool soaked in rain. He saw the death of the sacred coming and he tried to trap it on a canvas before it vanished forever.

References

Gauguin, Paul. The Writings of a Savage. Edited by Daniel Guérin. New York: Viking Press, 1978.

Thomson, Belinda. Gauguin. London: Thames & Hudson, 1987.

Brettell, Richard. The Art of Paul Gauguin. Washington: National Gallery of Art, 1988.

Eisenman, Stephen. Gauguin's Skirt. London: Thames & Hudson, 1997.

Shipping & Satisfaction

Shipping & Satisfaction

Free shipping on all US orders, always.

Every order ships to US addresses at no additional cost. Allow up to 10 business days from fulfillment for delivery.

Your investment is protected. Material or print defects are replaced or fully refunded — no friction, no negotiation. If the work doesn't resonate aesthetically within 5 days of receipt, reach out and we'll make it right.

One note worth reading before you order: because every piece is produced on demand, we're unable to accommodate returns for incorrect size selections. Consult the product specs before you commit — they're there to make sure what arrives is exactly what you envisioned.

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