Matisse, Henri - Woman with a Hat (1905) - Colorful Accent Mugs
Matisse, Henri - Woman with a Hat (1905) - Colorful Accent Mugs
Free shipping to Domestic US addresses!
Vendor
PrintifySub total
$28

Description
Description
Pick a Masterpiece. Or pick a Mandala. Then pick your color and your new favorite mug of wakefulness joins your routine — 12 bright accent options for the handle and interior. Match the dominant palette in the design or run contrast. There are no wrong calls here.
100% glossy ceramic with ORCA coating, which is the professional standard for color that actually holds up after washing. Available in 11oz and 15oz, whatever your morning requires.
- Material: 100% glossy ceramic, ORCA-coated
- 12 bright accent color options — handle and interior matched
- 11oz (0.33 L) / 15oz (0.44 L)
- Easy-grip C-shaped handle
- Microwave safe / Dishwasher safe
CARE INSTRUCTIONS
Dishwasher safe. Top rack if you're putting it in. Hand-washing with warm water and dish soap extends the print life. No abrasive scrubbers.
Art Story
Art Story
The Riot of 1905
Henri Matisse did not walk into the Salon d'Automne in 1905 looking to start a war. He just wanted to show a portrait of his wife, Amélie. She sat for him in a massive hat and a dress she probably stitched together herself. But when the doors opened in Paris, the public did not see a loyal wife. They saw a crime scene.
The critics lost their minds. They saw the green smear across her nose and the riot of violet on her cheek and decided Matisse had lost his grip on reality. One critic looked at the room and called the artists wild beasts, ‘fauves’. That was how Fauvism was born. It was an insult that stuck like a badge of honor.
Matisse was not trying to be difficult. He was just done with the lie that skin has to look like skin and light has to look like a sunbeam. He used color to talk about how it felt to look at her. It was raw and loud and deeply uncomfortable for a public used to smooth marble and polite shadows.
Leo and Gertrude Stein hated it at first. They stood in front of it and felt the same punch in the gut everyone else did. But then they bought it. They realized that once you see the world through Matisse's eyes, the old way of painting starts to look like a funeral. They saw the future in that messy hat and they paid the bill.
References
Elderfield, John. The Wild Beasts Fauvism and Its Affinities. New York Museum of Modern Art, 1976.
Spurling, Hilary. The Unknown Matisse A Life of Henri Matisse, 1869-1908. New York: Alfred A. Knopf, 1998.
Shipping & Satisfaction
Shipping & Satisfaction
Shipping & Satisfaction
Free shipping on all US orders, always.
Every order ships to US addresses at no additional cost. Allow up to 10 business days from fulfillment for delivery.
Your investment is protected. Material or print defects are replaced or fully refunded — no friction, no negotiation. If the work doesn't resonate aesthetically within 5 days of receipt, reach out and we'll make it right.
One note worth reading before you order: because every piece is produced on demand, we're unable to accommodate returns for incorrect size selections. Consult the product specs before you commit — they're there to make sure what arrives is exactly what you envisioned.
