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Ranson, Paul - Bather (1898) - Suede Square Pillow

Ranson, Paul - Bather (1898) - Suede Square Pillow

Regular price $39
Sale price $39 Regular price
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Printify

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$39
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Description

The One That Stays on the Couch

Full-print faux suede, both sides. The cover zips off; the insert, included, is two to three inches larger than the cover, so when assembled it holds its shape without going flat. Four sizes from 14×14 to 20×20. This is the kind of object that earns its place in a considered room by being stylish, functional, and intentional.

Care Instructions

Indoor pillow use only. Remove the cover before washing. Pre-treat stains with a soft cloth or bristle brush dampened in warm soapy water. Machine wash max 40°C (104°F), normal cycle. Do not bleach. Tumble dry low. Iron or steam on low heat only. Fluff and reshape when reassembling.

Art Story

The Ritual of the Sinuous Line

Paul Ranson wasn’t interested in the mundane reality of a woman washing herself. By 1898 the world was already moving too fast and the Nabis were busy retreating into the mystical. They didn’t just paint pictures. They staged quiet revolutions in a studio they called The Temple. Ranson was the high priest of this circle and Bather is his liturgy.

Everything about this canvas is a rejection of the natural world. Ranson took the organic curves of Art Nouveau and the flat decorative layers of Japanese prints and mashed them together. He was searching for a spiritual rhythm. The lines do not just define a body. They pulse with a specific energy that makes the background and the figure feel like a single living organism. At 92 centimeters tall the work is large enough to pull you into its weird hypnotic flow.

There are no harsh angles here. There is only the long sinuous curve that defines the late nineteenth century aesthetic. Ranson and his friends believed that art should be more than a mirror held up to nature. They wanted it to be a gateway to something deeper. This oil on canvas is a testament to that belief. It is a piece of decorative mastery that prioritizes the soul over the literal. Ranson died in 1909 but he left behind a vision of the world where even a simple bather becomes a part of a larger sacred pattern.

References

Boyer, Patricia Eckert. The Nabis and the Parisian Avant-Garde. Rutgers University Press, 1988.

Frèches-Thory, Claire and Antoine Terrasse. The Nabis Bonnard, Vuillard, and Their Circle. Harry N. Abrams, 1991.

Ranson, Paul. Bather. 1898. Oil on canvas. 92 x 73 cm. Private Collection.

Shipping & Satisfaction

Shipping & Satisfaction

Free shipping on all US orders, always.

Every order ships to US addresses at no additional cost. Allow up to 10 business days from fulfillment for delivery.

Your investment is protected. Material or print defects are replaced or fully refunded — no friction, no negotiation. If the work doesn't resonate aesthetically within 5 days of receipt, reach out and we'll make it right.

One note worth reading before you order: because every piece is produced on demand, we're unable to accommodate returns for incorrect size selections. Consult the product specs before you commit — they're there to make sure what arrives is exactly what you envisioned.

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