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Ranson, Paul - Bather (1898) - Velveteen Plush Blanket

Ranson, Paul - Bather (1898) - Velveteen Plush Blanket

Regular price $42
Sale price $42 Regular price
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Printify

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$42
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Description

Soft enough to reach for. Meaningful enough to keep.

The objects that end up staying — draped over the arm of a chair, folded at the foot of the bed, claimed by whoever sits closest — are rarely the ones you bought for the room. They're the ones that earned it. When you're building a space with intention, a velveteen plush blanket printed with art you chose is exactly that kind of object: it pulls weight on comfort and meaning at once. One-sided print on medium heavy-weight velveteen, 8.85 oz/yd². Double needle topstitch on all seams. Three sizes: 30×40, 50×60, and 60×80. Note: up to 3" size variance is standard for this construction.

Care Instructions

Machine wash cold, max 30°C / 90°F — hand wash extends the life of the print. Tumble dry low. No bleach, no ironing, no dry cleaning.

Art Story

The Ritual of the Sinuous Line

Paul Ranson wasn’t interested in the mundane reality of a woman washing herself. By 1898 the world was already moving too fast and the Nabis were busy retreating into the mystical. They didn’t just paint pictures. They staged quiet revolutions in a studio they called The Temple. Ranson was the high priest of this circle and Bather is his liturgy.

Everything about this canvas is a rejection of the natural world. Ranson took the organic curves of Art Nouveau and the flat decorative layers of Japanese prints and mashed them together. He was searching for a spiritual rhythm. The lines do not just define a body. They pulse with a specific energy that makes the background and the figure feel like a single living organism. At 92 centimeters tall the work is large enough to pull you into its weird hypnotic flow.

There are no harsh angles here. There is only the long sinuous curve that defines the late nineteenth century aesthetic. Ranson and his friends believed that art should be more than a mirror held up to nature. They wanted it to be a gateway to something deeper. This oil on canvas is a testament to that belief. It is a piece of decorative mastery that prioritizes the soul over the literal. Ranson died in 1909 but he left behind a vision of the world where even a simple bather becomes a part of a larger sacred pattern.

References

Boyer, Patricia Eckert. The Nabis and the Parisian Avant-Garde. Rutgers University Press, 1988.

Frèches-Thory, Claire and Antoine Terrasse. The Nabis Bonnard, Vuillard, and Their Circle. Harry N. Abrams, 1991.

Ranson, Paul. Bather. 1898. Oil on canvas. 92 x 73 cm. Private Collection.

Shipping & Satisfaction

Shipping & Satisfaction

Free shipping on all US orders, always.

Every order ships to US addresses at no additional cost. Allow up to 10 business days from fulfillment for delivery.

Your investment is protected. Material or print defects are replaced or fully refunded — no friction, no negotiation. If the work doesn't resonate aesthetically within 5 days of receipt, reach out and we'll make it right.

One note worth reading before you order: because every piece is produced on demand, we're unable to accommodate returns for incorrect size selections. Consult the product specs before you commit — they're there to make sure what arrives is exactly what you envisioned.

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