Ranson, Paul - Picking Flowers (1890) - Suede Square Pillowcase

Name: Ranson, Paul - Picking Flowers (1890) - Suede Square Pillowcase
Brand: Printify
SKU: 32862311017348240965
Price: 37.0 USD
Availability: InStock

$37

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Description

Product Description

Some objects earn their place. This faux suede pillowcase is one of them.

Crafted from 100% faux suede, a cruelty-free polyester microfiber woven for both softness and staying power. It functions as a tactile anchor: the kind of considered detail that signals a space was built with intention, not assembled from a cart. The art is yours. The finish holds it properly.

Double-sided print means your chosen image reads from any angle. A concealed zipper with a sturdy metal head keeps the silhouette clean. The microfiber construction delivers the hand-feel of suede with the durability your home actually demands.

One professional note: For a full, structured look, size your insert 2" larger than the cover. It's the difference between "thrown together" and "deliberately styled." A slight size variance of ±0.5" is inherent to the construction, a marker of the handcrafted process, not a flaw.

Care Instructions

Built to last. Treat it accordingly.

Pre-treat any stains with a soft cloth or bristle brush and warm, soapy water before washing. Machine wash on a normal cycle, 40°C / 104°F maximum. Tumble dry on low. Iron on low heat if needed, with or without steam. No bleach. No dry cleaning.

Once dry, fluff thoroughly before reinserting the pillow. It restores the structure and keeps your space looking considered.

Art Story

Flat Truths and Floral Patterns

Paul Ranson painted Picking Flowers because he was bored with the way art tried to lie to people. In 1890 the French art world was still obsessed with depth and perspective. Ranson and his circle of friends had other ideas. They called themselves the Nabis and they met in the studio of Ranson which they called The Temple. They were looking for a new way to see the world that did not involve pretending a flat canvas was a window.

This work is the sound of a hammer hitting a mirror. Ranson looked at Japanese woodblock prints and saw the future. He stripped away the traditional modeling that made bodies look heavy. There are no shadows here to help you find your way around the figures. Everything is flat and decorative. The patterns of the dresses and the flowers bleed into each other until the whole thing feels like a tapestry or a high-end wallpaper.

He was bridging a gap that most people did not even know existed yet. He was taking fine art and pushing it toward modern design. He understood that a painting could be beautiful just by existing as a series of shapes and colors on a surface. It did not need to be a lecture on anatomy. Ranson died in 1909 but this piece remains a witness to the moment when art stopped trying to be a photograph and started trying to be a vibe.

References

Frèches-Thory, Claire and Antoine Terrasse. The Nabis: Bonnard, Vuillard, and Their Circle. New York: Harry N. Abrams, 1991.

Kostenevich, Albert. French Art from the Middle of the Nineteenth to the Early Twentieth Century in the Hermitage Museum. Florence: Bonechi, 2008.

Shipping & Satisfaction

Free shipping on all US orders, always.

Every order ships to US addresses at no additional cost. Allow up to 10 business days from fulfillment for delivery.

Your investment is protected. Material or print defects are replaced or fully refunded — no friction, no negotiation. If the work doesn't resonate aesthetically within 5 days of receipt, reach out and we'll make it right.

One note worth reading before you order: because every piece is produced on demand, we're unable to accommodate returns for incorrect size selections. Consult the product specs before you commit — they're there to make sure what arrives is exactly what you envisioned.