Ranson, Paul - Picking Flowers (1890) - Velveteen Plush Blanket

Name: Ranson, Paul - Picking Flowers (1890) - Velveteen Plush Blanket
Brand: Printify
SKU: 17570988527341697656
Price: 42.0 USD
Availability: InStock

$42

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Printify

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Description

Soft enough to reach for. Meaningful enough to keep.

The objects that end up staying — draped over the arm of a chair, folded at the foot of the bed, claimed by whoever sits closest — are rarely the ones you bought for the room. They're the ones that earned it. When you're building a space with intention, a velveteen plush blanket printed with art you chose is exactly that kind of object: it pulls weight on comfort and meaning at once. One-sided print on medium heavy-weight velveteen, 8.85 oz/yd². Double needle topstitch on all seams. Three sizes: 30×40, 50×60, and 60×80. Note: up to 3" size variance is standard for this construction.

Care Instructions

Machine wash cold, max 30°C / 90°F — hand wash extends the life of the print. Tumble dry low. No bleach, no ironing, no dry cleaning.

Art Story

Flat Truths and Floral Patterns

Paul Ranson painted Picking Flowers because he was bored with the way art tried to lie to people. In 1890 the French art world was still obsessed with depth and perspective. Ranson and his circle of friends had other ideas. They called themselves the Nabis and they met in the studio of Ranson which they called The Temple. They were looking for a new way to see the world that did not involve pretending a flat canvas was a window.

This work is the sound of a hammer hitting a mirror. Ranson looked at Japanese woodblock prints and saw the future. He stripped away the traditional modeling that made bodies look heavy. There are no shadows here to help you find your way around the figures. Everything is flat and decorative. The patterns of the dresses and the flowers bleed into each other until the whole thing feels like a tapestry or a high-end wallpaper.

He was bridging a gap that most people did not even know existed yet. He was taking fine art and pushing it toward modern design. He understood that a painting could be beautiful just by existing as a series of shapes and colors on a surface. It did not need to be a lecture on anatomy. Ranson died in 1909 but this piece remains a witness to the moment when art stopped trying to be a photograph and started trying to be a vibe.

References

Frèches-Thory, Claire and Antoine Terrasse. The Nabis: Bonnard, Vuillard, and Their Circle. New York: Harry N. Abrams, 1991.

Kostenevich, Albert. French Art from the Middle of the Nineteenth to the Early Twentieth Century in the Hermitage Museum. Florence: Bonechi, 2008.

Shipping & Satisfaction

Free shipping on all US orders, always.

Every order ships to US addresses at no additional cost. Allow up to 10 business days from fulfillment for delivery.

Your investment is protected. Material or print defects are replaced or fully refunded — no friction, no negotiation. If the work doesn't resonate aesthetically within 5 days of receipt, reach out and we'll make it right.

One note worth reading before you order: because every piece is produced on demand, we're unable to accommodate returns for incorrect size selections. Consult the product specs before you commit — they're there to make sure what arrives is exactly what you envisioned.