Ranson, Paul - The Golden Head of Hair (1909) - Velveteen Plush Blanket

Name: Ranson, Paul - The Golden Head of Hair (1909) - Velveteen Plush Blanket
Brand: Printify
SKU: 14776771686652592447
Price: 42.0 USD
Availability: InStock

$42

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Printify

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Description

Soft enough to reach for. Meaningful enough to keep.

The objects that end up staying — draped over the arm of a chair, folded at the foot of the bed, claimed by whoever sits closest — are rarely the ones you bought for the room. They're the ones that earned it. When you're building a space with intention, a velveteen plush blanket printed with art you chose is exactly that kind of object: it pulls weight on comfort and meaning at once. One-sided print on medium heavy-weight velveteen, 8.85 oz/yd². Double needle topstitch on all seams. Three sizes: 30×40, 50×60, and 60×80. Note: up to 3" size variance is standard for this construction.

Care Instructions

Machine wash cold, max 30°C / 90°F — hand wash extends the life of the print. Tumble dry low. No bleach, no ironing, no dry cleaning.

Art Story

The Last Ripple of the Nabis

Paul Ranson was out of time. It was 1909 and the world was moving on to something harsher and louder. But in his final months he stayed focused on the curve of a woman’s head. This painting is the last gasp of a movement that wanted to turn life into a pattern.

The Nabis were never about the truth. They were about the feeling of a color or the weight of a line. Ranson pulled from Japanese woodblock prints to flatten the universe until only the essence remained. There is no air in this room. There is no distance between the viewer and the subject. There is only the rhythmic pulse of golden hair.

He died shortly after he finished this. He left behind a piece of work that felt more like a map than a portrait. The decorative patterns do not just sit there. They replace the very idea of space. Ranson was showing us that the soul is not found in the shadows of a three-dimensional room but in the flat planes of our own obsessions.

This was the peak of his craft. He turned hair into a landscape and a landscape into a symbol. It remained inside the tight circle of the Nabis for years because it was a secret language they all spoke. It was a goodbye letter written in flat zones of color. He did not need a perspective. He just needed to get the line right before the light went out.

References

Boyer, Guy. The Nabis and the Decorative Arts. Paris: Musee d'Orsay, 1993.

Frèches-Thory, Claire and Antoine Terrasse. The Nabis: Bonnard, Vuillard, and Their Circle. New York: Harry N. Abrams, 1991.

Ranson, Paul. The Golden Head of Hair. 1909. Oil on canvas. Private Collection.

Shipping & Satisfaction

Free shipping on all US orders, always.

Every order ships to US addresses at no additional cost. Allow up to 10 business days from fulfillment for delivery.

Your investment is protected. Material or print defects are replaced or fully refunded — no friction, no negotiation. If the work doesn't resonate aesthetically within 5 days of receipt, reach out and we'll make it right.

One note worth reading before you order: because every piece is produced on demand, we're unable to accommodate returns for incorrect size selections. Consult the product specs before you commit — they're there to make sure what arrives is exactly what you envisioned.