Ranson, Paul - Witches Around the Fire (1891) - Matte Canvas, Framed
Ranson, Paul - Witches Around the Fire (1891) - Matte Canvas, Framed
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Vendor
PrintifySub total
$55

Description
Description
Product Description
Framed Matte Canvas: A Timeless Legacy, Elegantly Bordered
The Masterpieces Collection serves as a bridge to cultural continuity, bringing the depth of art history into the modern sanctuary of your home. By choosing a framed presentation, you elevate these signals of human brilliance from a simple accent to a definitive focal point. This framed matte canvas provides a sophisticated, gallery-ready aesthetic that anchors your space in intentionality and grace.
Eleanor, we understand that finding the perfect frame can often be an overwhelming post-purchase hurdle—one that delays the joy of actually hanging your art. We’ve pre-emptively solved this by pairing our archival-grade canvas with a sustainably sourced pinewood frame. It arrives finished and ready to grace your walls, ensuring that the transition from our studio to your home is effortless and immediately rewarding.
- Premium Composition: A cotton and polyester composite canvas featuring a specialized proprietary coating that ensures vibrant, eye-catching detail and long-lasting color integrity.
- Sustainably Sourced: Both the pinewood frame and the internal radial pine stretcher bars are FSC-certified from renewable forests, honoring a commitment to mindful stewardship.
- Safety and Clarity: Printed with UL-certified Greenguard Gold latex inks, our canvases are non-hazardous, non-toxic, and non-flammable, providing a vivid resonance that is safe for every room in your home.
- Ready to Hang: Each piece comes with sawtooth hanging hardware already attached, ensuring a seamless installation.
- Artisan Precision: Our frames are available in four colors to complement your unique decor. Due to the specialized production process, please allow for a slight size deviation tolerance of +/- 1/8" (3.2mm).
Care Instructions
Maintenance is intentionally straightforward to ensure your artwork remains a pristine fixture in your home. If the canvas or frame gathers dust over time, simply wipe it off gently with a clean, damp cloth.
The Story
The Story
The Ritual at the Temple
Paul Ranson didn't just paint a picture of witches. He invited them into his studio. It was 1891 and the Nabis were tired of the world looking exactly like the world. They wanted something deeper. They wanted the spirit. Ranson turned his workspace into a place called The Temple. He wasn't playing pretend. He filled the air with incense and talk of the occult and the strange. This was a time when the medieval past and modern anxiety met over a bubbling cauldron.
The painting is a flat landscape of shadows. Ranson took the lessons of Gauguin and the sharp lines of Japanese prints and mashed them together. He looked at stained glass and saw how the heavy lead lines held the light in place. He did the same here. The colors are blocks of mood. They don't try to be real. They try to be felt. It is a sabbat pulled from old folklore and dropped into the middle of a Parisian art scene that was hungry for magic.
The fire isn't there to keep anyone warm. It is the center of a ritual. These figures are not portraits. They are shapes carved out of the dark. Ranson died in 1909 but he left behind this window into a world where the decorative was a weapon against the boring. He proved that you don't need depth to show the bottom of the soul. You just need a bold outline and a little bit of fire.
References
Ranson, Paul. Witches Around the Fire. 1891. Oil on canvas. Private Collection.
Boyer, Patricia Eckert. The Nabis and the Parisian Avant-Garde. New Brunswick, Rutgers University Press, 1988.
Clement, Russell T. Les Nabis A Bio-Critical Sourcebook. Westport, Greenwood Press, 1996.
Shipping & Satisfaction
Shipping & Satisfaction
Shipping & Satisfaction
Free shipping on all US orders, always.
Every order ships to US addresses at no additional cost. Allow up to 10 business days from fulfillment for delivery.
Your investment is protected. Material or print defects are replaced or fully refunded — no friction, no negotiation. If the work doesn't resonate aesthetically within 5 days of receipt, reach out and we'll make it right.
One note worth reading before you order: because every piece is produced on demand, we're unable to accommodate returns for incorrect size selections. Consult the product specs before you commit — they're there to make sure what arrives is exactly what you envisioned.
