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Toulouse-Lautrec, Henri - Moulin Rouge - La Goulue (1891) - Suede Square Pillow

Toulouse-Lautrec, Henri - Moulin Rouge - La Goulue (1891) - Suede Square Pillow

Regular price $39
Sale price $39 Regular price
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Vendor

Printify

Sub total

$39
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Description

The One That Stays on the Couch

Full-print faux suede, both sides. The cover zips off; the insert, included, is two to three inches larger than the cover, so when assembled it holds its shape without going flat. Four sizes from 14×14 to 20×20. This is the kind of object that earns its place in a considered room by being stylish, functional, and intentional.

Care Instructions

Indoor pillow use only. Remove the cover before washing. Pre-treat stains with a soft cloth or bristle brush dampened in warm soapy water. Machine wash max 40°C (104°F), normal cycle. Do not bleach. Tumble dry low. Iron or steam on low heat only. Fluff and reshape when reassembling.

Art Story

The High Art of the Low Life

Paris in 1891 was a fever dream of electricity and cheap booze. The Belle Époque wore a layer of gold leaf to hide a rotting core. The Eiffel Tower was a new iron splinter in the skyline, and the streets smelled of horse manure and coal smoke. Anarchists planted bombs while the bourgeoisie drank absinthe until they saw green fairies. It was a world of rapid transit and slow deaths.

Henri de Toulouse-Lautrec captured this frantic energy. He didn't just paint a poster; he revolutionized advertising by treating a commercial lithograph as fine art. To drown out rival posters, he printed 3,000 copies and plastered them across the walls of Paris.

The star of the show is La Goulue, the Glutton. She was famous for her high kicks and her habit of flipping hats off the heads of gentleman customers. In the foreground, a shadowy figure looms. This is Valentin le Désossé, the Boneless dancer. Lautrec used four lithographic stones to create this bold, flat composition. He pulled the viewer into the chaotic heart of the Moulin Rouge, documenting a society desperate to dance before the lights finally went out.

References

Adriani, Götz. Toulouse-Lautrec: The Complete Graphic Works. Royal Academy of Arts. 1988.

Castleman, Riva. Printed Art: A View of Two Decades. Museum of Modern Art. 1980.

Ives, Colta Feller. The Great Wave: The Influence of Japanese Woodcuts on French Prints. Metropolitan Museum of Art. 1974.

Thomson, Richard. Toulouse-Lautrec. Yale University Press. 1977.

Shipping & Satisfaction

Shipping & Satisfaction

Free shipping on all US orders, always.

Every order ships to US addresses at no additional cost. Allow up to 10 business days from fulfillment for delivery.

Your investment is protected. Material or print defects are replaced or fully refunded — no friction, no negotiation. If the work doesn't resonate aesthetically within 5 days of receipt, reach out and we'll make it right.

One note worth reading before you order: because every piece is produced on demand, we're unable to accommodate returns for incorrect size selections. Consult the product specs before you commit — they're there to make sure what arrives is exactly what you envisioned.

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