Van Gogh, Vincent - Self Portrait with Bandaged Ear (1889) - Suede Square Pillowcase

Name: Van Gogh, Vincent - Self Portrait with Bandaged Ear (1889) - Suede Square Pillowcase
Brand: Printify
SKU: 17584709257445820388
Price: 37.0 USD
Availability: InStock

$37

OFF Sold out

Shipping calculated at checkout.

Free shipping to Domestic US addresses!

Vendor

Printify

Sub total

$37

Product variants

View full details

About your query!

Description

Product Description

Some objects earn their place. This faux suede pillowcase is one of them.

Crafted from 100% faux suede, a cruelty-free polyester microfiber woven for both softness and staying power. It functions as a tactile anchor: the kind of considered detail that signals a space was built with intention, not assembled from a cart. The art is yours. The finish holds it properly.

Double-sided print means your chosen image reads from any angle. A concealed zipper with a sturdy metal head keeps the silhouette clean. The microfiber construction delivers the hand-feel of suede with the durability your home actually demands.

One professional note: For a full, structured look, size your insert 2" larger than the cover. It's the difference between "thrown together" and "deliberately styled." A slight size variance of ±0.5" is inherent to the construction, a marker of the handcrafted process, not a flaw.

Care Instructions

Built to last. Treat it accordingly.

Pre-treat any stains with a soft cloth or bristle brush and warm, soapy water before washing. Machine wash on a normal cycle, 40°C / 104°F maximum. Tumble dry on low. Iron on low heat if needed, with or without steam. No bleach. No dry cleaning.

Once dry, fluff thoroughly before reinserting the pillow. It restores the structure and keeps your space looking considered.

Art Story

The Last Stand in the Yellow House

Vincent van Gogh did not paint this portrait to show off his technique. He painted it to see if he was still there. The year was 1889 and the dream of a Mediterranean artist colony had just ended in a spray of blood and a hasty departure by Paul Gauguin. Arles was no longer a sun-drenched paradise. It was a trap of mistral winds and neighbors who looked at him like a rabid dog.

He stands before us in a heavy buttoned coat. The Studio of the South was a drafty wreck and the winter was bitter. Behind him hangs a Japanese woodblock print. It represents the artistic solace he craved while his mind was fraying at the edges. The bandage on his head covers a self-inflicted wound that the history books often turn into a morbid curiosity. To Vincent, it was a medical reality.

The perspective is flipped because he was staring into a mirror. He was searching his own eyes for a sign of the madness that had landed him in a stone hospital room. This canvas was his own psychological clearance. If he could still capture the smell of turpentine and the texture of his own coat, he was still a painter. Survival was the only masterpiece he had left to create.

References

Bonafoux, P. (1989). Van Gogh: Self Portraits. Tabard Press.
Gayford, M. (2006). The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Arles. Penguin Books.
Naifeh, S., & Smith, G. W. (2011). Van Gogh: The Life. Random House.
Pickvance, R. (1984). Van Gogh in Arles. Metropolitan Museum of Art.

Shipping & Satisfaction

Free shipping on all US orders, always.

Every order ships to US addresses at no additional cost. Allow up to 10 business days from fulfillment for delivery.

Your investment is protected. Material or print defects are replaced or fully refunded — no friction, no negotiation. If the work doesn't resonate aesthetically within 5 days of receipt, reach out and we'll make it right.

One note worth reading before you order: because every piece is produced on demand, we're unable to accommodate returns for incorrect size selections. Consult the product specs before you commit — they're there to make sure what arrives is exactly what you envisioned.